Community Organizing is on their Minds in Italy Too

New Orleans      Changing planes between Tirana and Sofia, we ended up going through Rome.  Miraculously, my phone was working, so I reached out for David Tozzo, head organizer of ACORN in Rome, and happened to catch him.  It turned out that he was co-teaching a regular class on community organizing every other Saturday morning.  The next one was coming up soon, when I would be back in the USA, but knowing that I would be jet-lagged in a moment of temporary insanity I of course volunteered to do a Skype session with the call at 1130 AM in Rome and 430 AM in New Orleans.

They called right on the button.  As it happened, David had received a link to “The Organizer,” as a Kickstarter contributor, so the class had managed to make it through the English version of the movie, without Italian captions before they had connected with me.

After a brief update on ACORN’s current work, their questions came fast and furious.  I’m coming to expect the mandatory question on whether or not ACORN could have escaped attack, if it had chosen to stay small and precious.  Once we had covered the fact that we were a constituency organization not simply a community group and had to meet the challenge of growing to achieve enough power to protect and advance our membership, the next question was easier to embrace:  what is the “protocol” ACORN uses to expand to new places?

Often, we simply have to say we don’t have the current capacity to reach out to everyone who expresses interest, but more recently we share a simple manual developed by ACORN in the UK for those interested in building a tenants’ union or access to other information for those who want to organize their communities.   More practically, in more developed countries, we offer the opportunity for training in the UK, France, Canada or the USA.  To everyone willing to move forward, we walk them through building an “organizing committee” with the promise that we will recognize them as a chapter when they reach one-hundred members or more, affiliate them formally.

Of course, given the proximity of Albania to Italy, there were questions about my recent visit there.  I made a joke about some people in Tirana arguing that their pizza was as good as Italy’s, if not better.  Several of the group were interested in the difference between organizing in Europe versus North America, and I answered that the expectations of the state and social services were much, much higher in Europe.

I asked about reports of Italy moving to insert an income floor with cash supplements to get everyone over about $10,000 USD beginning in March, so what was the skinny there?  They answered that the downside was that the program was temporary for three years, but the upside is that it was a $9 billion commitment to the poor, and cash was critical.  I asked about the affordable housing situation for tenants, and the answer was simple: “Terrible!”  One woman noted the new normal in terms of little new social housing construction and a decrease in affordability.  She also made a troubling point about increasing divisions being forced between the “have nots” versus other “have nots” in order to prevent them from focusing on the “haves.”  Having heard earlier about hopes for building Roma organizations in Bulgaria, the Italians noted that Roma were being stripped of citizenship rights in Italy.

There’s a hunger for organizing and change.  We just have to figure a way to satisfy the demand.

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Mexico City’s Roma: Film and Reality

Ongoing demonstration on Reforma for the missing busload of students still not found in recent years

Mexico City     How could we be in Mexico City for the holidays and not hear from friends in the States that we needed to watch Roma on Netflix?  How could we miss the signs on bus stops and billboards everywhere as we walked along Avenida Reforma advertising Roma in theaters as well as on NetflixOk, we couldn’t, so laptop, literally on my lap, we hunkered down to see what the film offered.

So, if you are not in Mexico City this may have slipped by you with the US government potentially shutting down, the Defense Secretary resigning, troop pullouts in Syria and Afghanistan, and Trump going on and on about building his new wailing wall at the border.  Roma is a very personal film from director Alfonso Cuaron based on his own upbringing in a middle-class family in the Roma neighborhood of Mexico City in the 1970s and is centered on one of the domestic workers who lived with their family.

Alfonso Cuaron is one of the great directors of our time.  He won an Academy Award for Gravity with Sandra Bullock and George Clooney, the first Mexican to do so.  We’ve seen Children of Men (2006) and Y Tu Mama Tambien (2001) which he directed and were unforgettable.  He was the producer of Pan’s Labyrinth (2006), another unique film.  Short story:  Cuaron is serious business.

Roma is a period piece for a time in the early 1970s that is unforgettable in Mexico and for those of us who travel in the country and care about it deeply.  Films about domesticity where class, race, and ethnicity are so stark are wearing, and I found the first thirty minutes a personal slog.  Had I not been watching it with family, I would have fast forwarded, but that would have also been a mistake, because Cuaron was setting the scene where calm and order breed chaos, and inequity holds the seeds of rage, even when misdirected.

Cuaron used an untrained actor for Cleo, the family maid and mother-substitute for the family.  He reportedly spent a year trying to find someone with the look and sensibility that matched Libo, his family’s maid and caretaker.  She is quietly powerful throughout the movie and the drama ends up paralleling that of the family where his parents are going through a divorce and the country is experiencing the upheaval that ended in the tragic killing of student protestors by police, military, and rightwing militants.

street laborer: Sweeper (old school)

Almost fifty years later, harkening back to my first visits to Mexico City in 1974, it is surprising how many things are still the same.  Some are simple like the whistle of the knife sharpener in the neighborhood, which we heard staying in Contessa in 2015.  The street vendors, cart pushers, and constant presence of manual labor, cheaply regarded, both in private and public settings also still seems the same.

Cuaron, being interviewed by The Guardian, after the paper named the film the best of 2018, offered the clearest comments about the personal being political and the political always being prominent in answer to their questions:

Has Roma made you think differently about your childhood?
Not only my childhood; it has made me reassess many things, including my own complicity in certain situations – such as hierarchical society and the relationship between class and race that is prevalent not only in my country, but throughout the world.

What scenes do you find most personally painful in Roma?
There are many scenes. But what gave me the biggest pains were the scenes about the bubble of this middle-class family. This movie is set in 1971, and the social problems have actually got worse since then. That is really painful. Yesterday, we received good news about domestic workers, who have been campaigning for social security and to be legally protected. The judges declared it was discriminatory not to grant them those rights. What is so scary, though, is the amount of racist commentary about this on Twitter. And when Yalitza was on the cover of Vogue, you have no idea of the amount of racist comments about it. So, 1971 or 2018? The problems are even more acute today.

This is a film worth watching, whether you are in Mexico City or not.  The themes and concerns are universal and need to be seen uncomfortably, just as they exist in reality.

street laborers: Uber eats
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